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University of Otago Childcare Centre - Te Pa

Posted By: Amalgamated Builders Ltd on Thu, 26 June 2014

Kim Dungey - Otago Daily Times

ABL's Technical abilities to the fore on this exciting project

It looks like a typical row of student flats but behind the front doors, not everything is as it seems. Kim Dungey reports on a new development on the University of Otago campus.

The life cycle of a frog is depicted at child's eye level in the slats of the front desk.

The ''big boys'' in the nursery are enjoying the extra space. Aged nearly 2, they happily run from one end of the room to the other while outside other children swing on tyres and fill buckets with sand.

Opened last month, the new University of Otago child-care centre, Te Pa, is based on the concept of a children's village in the centre of the campus, essentially a group of domestic buildings surrounding a garden.

Key to this was preserving the facades of a row of timbered bay villas on the Castle St site. Once used as flats, then as music practice rooms and postgraduate study space, the Edwardian villas were among 11 buildings on the site that were dismantled to make way for the centre.

However, once repaired, the facades of the villas were returned to their original position opposite Selwyn College.

Painted different colours, with glazed links set back from the street and individual gardens, they still look like five houses. But behind the frontages is a single building housing the nurseries and the bilingual centre.

Leaving facades intact while building new structures behind is not without controversy. Critics call the practice facadism and claim it leaves behind only a veneer of history.

Others see it as a smart response to a city's changing needs, allowing regeneration while preserving historic streetscapes.

Architect Simon Parker, a director of Parker Warburton Team Architects, says retaining the facades, scale and proportion of the villas was a way to ensure a link with the past, while creating a modern child-care facility.

Their unique character was recognised in the university's 2010 campus master plan and because they were domestic in scale and not institutional, a child-care centre was identified as an appropriate use.

As part of the $6.3 million project, the original double-hung windows, weatherboards and latticework were all retained.

''Preserving the facades does add slightly to the cost, but is worthwhile to retain our unique heritage and adds significantly to the character of the buildings and the streetscape.''

The proportions of the villas and the rhythm they establish on the street also influenced the design of the entirely new, cedar-clad buildings on the site, Parker adds.

Backing on to Montgomery Ave, these buildings accommodate the older children (aged 2-5) and help enclose the outdoor play area. Able to be seen and accessed from all the buildings, the playground makes use of natural materials like logs, rocks and wood rather than brightly-coloured plastic equipment.

Otago University Childcare Association director Kay Lloyd-Jones says it encourages the children to ''truly engage with natural elements.

To hide, build and travel through, change and dig rather than climbing on static structures''.

Ten months in construction, the 1300sq m centre replaces premises in Great King St and caters for an extra 54 children, whose parents are staff or students at the university.

The facility is licensed for 140 but the children are divided into groups of 16-20 and each area has its own character, partly because of how groups interpret the curriculum but also because each space is decorated slightly differently.

The bilingual centre, for example, is reminiscent of a Maori meeting house with a pitched ceiling with a ridge beam and rafters. Its name, Te Parekereke o Te Ki, refers to the place in a garden reserved for seedlings.

Throughout the complex, fabric lampshades, older reupholstered couches and small kitchen and dining areas create a homely feel.

There is a sense of fun, too, from the front desk with its illustrations depicting the life cycles of frogs and moths, to the bright pops of colour on the exterior of the new buildings and a covered walkway which has chain links instead of downpipes so the children can see water trickling down from the roof.

As well as play spaces, sleep rooms and a private room for breast-feeding, there are areas in which to park buggies, prepare bottles, store food and do laundry.

Parker says the buildings were also designed so there are plenty of opportunities for parents to interact and form networks.

The centre has wireless internet, double glazing, underfloor heating provided by a woodchip boiler, and high levels of insulation and sound-proofing.

Facilities for the nearly 40 staff include an adults-only area where teachers can use computers for their planning and assessments, and a staff meeting room. In the past, if more than three staff were attending a meeting, they had to use the university library.

Julie Buis, head teacher in the infant and toddler centre, says the arrangement of the buildings and extensive use of glass mean children and staff are able to be in small groups but feel they are part of a bigger community.

Lloyd-Jones agrees, saying the children are still exploring but enjoying the new environment: ''They've been motivated and excited by the whole experience''.

Globe races to meet fundraising deadline

Posted By: Amalgamated Builders Ltd on Thu, 26 June 2014

Brenda Harwood - Otago Daily Times

The flurry of fundraising activity continues as the Friends of the Globe Theatre inch towards their goal of raising $500,000 for repairs to the historic Dunedin theatre.

Friends of the Globe president Dr Rosemary Beresford said about $275,000 had been raised so far through grants and fundraising activities, and the group was waiting for responses from several major funding organisations.

''The fundraising is going well but we can't rest on our laurels. We need to raise the $500,000 by October,'' Dr Beresford said.

Grants received so far have included a pledge of $143,000 from the Lottery World War One Commemorations, Environment and Heritage (WWEH) Committee, $58,485 from the Stout (Guardian) Trust, $18,353 from the Alexander MacMillan Trust, $10,000 from the AAW Jones Trust, $5000 from the Southern Trust and $2000 from the Dunedin City Council Heritage Fund.

About $2500 in profits from box office takings so far this year had also been transferred to the ''roof fund'', Dr Beresford said.

The Friends of the Globe were awaiting responses to applications for grants of $100,000 from the Otago Community Trust, $50,000 from the Harry Wilson Trust, $5000 from the Lion Foundation and $5000 from the NZ Community Trust.

''We are very hopeful of getting support from these organisations, but we still need to do more - time is rushing past,'' Dr Beresford said.

The full Lotteries grant pledge is dependent on the Friends of the Globe reaching the $500,000 target by October, and Amalgamated Builders has been contracted to start the work that month.

The project will include repairing the theatre's leaking roof, carrying out earthquake strengthening and fixing problems with the building's structure.

The Globe Theatre holds a category 1 Heritage New Zealand classification.

The recent change to the building consents process was also a complicating factor, with major building work triggering additional fire safety and disabled access requirements, Dr Beresford said.

''We are working through those with the DCC, who have been very supportive,'' she said.

As the grants process continues, the Globe Theatre has embarked on a programme of back-to-back productions and fundraising projects.

These include a season of Alan Bennett's The History Boys, opening next Thursday, May 29; a dramatisation of Jane Austen's Lady Susan, on June 13 and 14; and Shakespeare's A Midsummer Night's Dream, from July 24 to August 2.

The Friends of the Globe is also offering sponsorship opportunities to individuals and businesses, including the chance to be theatre ''ghosts'' ($1000) or to sponsor auditorium seats.

In addition, the theatre has also launched a crowd-funding site for donations at